CV | Interview with Svetlana Volic | www.svetlanavolic.in.rs
STIER | ZEMKE | VOLIC
09.10.11 – 04.11.11
Svetlana Volic is a Serbian visual artist expressing through different mediums: video and video installations, site-specific art, photography, painting, scene-design and graphic design. Graduated at The Faculty of Fine Arts in Belgrade, painting department, 1999. Finished post-graduate studies at the same Faculty, 2002. Member of Fine Artist’s Association of Serbia since 2000. Realized 5 Solo-exhibitions. Since 1997. she took part in more than 60 group projects (exhibitions, site-specific projects, workshops) in Serbia, Macedonia, Czech Republic, Montenegro, Estonia, Latvia, Hungary, Bulgaria, Italy, Greece, Canada. She has made scene design and video installations for 17 theater events. Participant in the Venice Architecture Biennale 2004. as a co-author of a multimedia art project SD-02: site Krstac, within the national setting of Serbia and Montenegro.
She has collaborated with various visual and applied artists, actors, musicians, ethnologists, sociologists in many contemporary independent and experimental projects. She has made a number of video installations which have been constructed in exhibition spaces such as galleries, as well as public and private spaces. Many installations were designed to exist only in the space for which they were created. Living and working in Belgrade as freelance artist.
Interview with Svetlana Volic:
Tell us more about your video “Presence”. How did it develop?
During several video sessions I have recorded myself in darkness, silence and isolation, using night shot mode on camera. I was the observer and the one who is observed at the same time, the subject and the object. Each session was an intimate ritual, a specifically meditative and emotional experience. During the editing process, some of the recorded sessions are slowed down. The main actor is the hand, a hand is “writing” a visual testament, playing with symbols and meanings. Recording that connects all the parts, and it was used as a refrain, as is the enlarged image of an eye. The work is aesthetic and emotionally intense, but the “beautiful” images are hiding a philosophical critique of modern society, in which the individual in particular experiences alienation.
Why video art? Which possibilities does it offer for you?
By looking through a camera, I am watching the world with an inner eye. For me, recording is a specific process of self-discovery leading to restoration of lost spiritual and physical balance. It is a philosophical process and video, for me, is a philosophical form. Moving pictures are closest to life, they are dynamic, contain rhythm and a component of time. This passage of time is very important for me in physical and metaphysical sense. I think that my video works are contemplative and meditative, they encourage the viewer to slow down. I insist on substantial investments of time: only by adjusting her or his schedule to the pace and subtlety of the work, the viewer will share the power that is human emotion – in intimacy and silence.
Which topics are you interested in in your work in general? Are you working with other medias, apart from video?
In my work I am always dealing with issues of perception, memory and self-awareness. I am interested in “great” themes such as love, hate, fear, life, death, spiritual life –universal human experiences. Maybe it is not so popular these days but I think these themes are unsolvable and mysterious in a positive sense for the world, and are therefore life-giving.
Light has always attracted me, it fascinates me when I paint, take photos, record videos or make video installations – even my name on Serbian means light!
In recent years my focus is on the creation of video installations. Video projection is also light that travels trough space, and on that road it transforms objects and surfaces it touches. It creates a transcendental fluid atmosphere. In different indoor and outdoor spaces I have created special environments and I have explored the possibilities of video projections on different materials.
I was an author or participant of many site-specific projects, too. The main aim was to stimulate interest in the environmental or architectural heritage of the specific localities, by asking the audience to re-look at sites in a new way, around ideas of society, community, history, private or public space. The works were created and presented in direct response to the social environment, transcribing histories, memories, textures and functions into art.
Furthermore, theatre is also my great love: I have made a number of video installations and VJ-ing for theatre performances.